![]() Masculine representation of Indonesian men in other pop culture products from The result of the study shows that the masculine representation in Ebiet G.Īde’s songs is different from the findings from previous research on the Data is taken from Ebiet G.Īde’s 1988 music album 20 Lagu Terpopuler Ebiet G. This is qualitative research.Ĭontent analysis with transcript method is used. In pop culture products in the same period of time. It aims to provide evidence on the variety of masculine representations This is the implementation of gender or masculinity studies on pop culture ![]() This study focuses on the representation of masculinity in Ebiet G. The results showed that the film still uses male perspectives in viewing the events women are still represented more as objects than subjects women are still viewed from the perspective of other parties (mostly men) the film leads the audience to identify themselves with male figures and this film still affirms the patriarchal ideology The research was conducted by dissecting the text in the film, looking at the subject-object position and the producer-reader position in climax scenes, to see how women are represented in the scenes. The type of research method used is qualitative descriptive research analyzing media content with critical discourse analysis methods by Sara Mills. The purpose of this research was to find out the representation of women in the film Ayat-Ayat Cinta through events in film stories that were commodified by cinematographers and audiences. This research was carried out with assumptions about the existence of ideological battles that took place in a media discourse and representation of women in a film. ![]() ![]() ![]() One of the best-selling films in 2008 was the film Ayat-Ayat Cinta. Film as part of mass communication has a considerable influence on the formation of opinions that occur in society. ![]()
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